ungentle: (if i might be as so bold to say)
That is to say, which ones I'm into playing. 

 ✔ yes (* I've already got ideas sketched out)  ~ with discussion ✘ no 

✔* Canon but with different romantic relationships
✔* Fix-it
✔* University (canon-adjacent or no)
~* Canon divergence
✘ villain 
✔ Historical (canon-adjacent or no)
✔* Marvel fusion
✔ DC fusion
✔* Mundane  
~ Medical drama 
✘ Asylum
✔ Charlie's Angels
~ Spies
✔ Harry Potter 
✔ General magic 
~ Percy Jackson
✔ Buffy the Vampire Slayer 
✔* True Blood 
✔ General vampires 
✔ General werewolves
~ Daemons
✔ Terminator
✔ High fantasy
✔* Western 
✔ Steampunk 
✔ Cyberpunk
✔ Futuristic
✔* Star Wars
✔ Star Trek
~ General space
✔ Horse girls 
✔* Music industry
✘ Sex work
✔ Office building
~ Law enforcement 
✔ Local government
✔ The Good Place
~ Reincarnation 
✘ Soulmates
~ Other canons not listed
~ Other niche interests not listed
ungentle: (trying to find my way above the treetops)
Effective immediately, I have broken up with canon. It's been a long time coming, and there were warning signs from the beginning. I should have had the strength to do this a long time ago, after one of the unnecessary and fabricated murders and rapes or character assassinations or character exclusions or a thousand thousand other things. I was naive and foolish and I wanted to believe that they could turn it around, that it couldn't all be bad, that all of the care and concern I'd put into this show and these characters (specifically the many women I'm fond of) couldn't possibly be for nothing. If it was, didn't that somehow reflect back on me as a person, and not the creators I'd foolishly put some manner of trust in? I loved my women, I could stick it out for them. Even as more and more of them were ignored or brutalized, I thought I could stick it out.

Not so.

After hearing what went on in s8e04, specifically regarding blessed and good Missandei of Naath (and also the potential narrative ripples that may follow that), I made the executive decision that I didn't need to watch the last three episodes. Furthermore, I have no plans to read the last two books if they're ever published. At this point, I don't think B&W deserve to handle these characters, nor do they understand them well, especially the women and POC characters. I'm not even sure GRRM does. But that's the power of transformative works, right? Those of us who see something valuable in parts of a story, like characters or rich settings, but want to build on those in ways that feel meaningful to us as people. Those of us who see, for example, female characters with the potential to do amazingly epic things that could mean a lot to a lot of people and want to tell those stories because the original creators have decided they're not valuable or worth their time.

Well, the original creators have made it pretty clear that the stories that matter to me don't matter to them, and I'm only going to make myself sadder by following their story through to the very end. I've already played with divergences (as evidenced by the fact that most of my women are dead by now) and that's where I intend to live. I don't intend to live in the grimdark and miserable, especially in roleplay where we're all constantly rewriting stories. I'm here to make something with the pieces that some idiot men threw away.

quick facts

Jul. 3rd, 2017 06:32 pm
ungentle: (paint my hair a blackened crown)
canonpoint: defaults to canon-current (post-s6).
favorite threads: relationship building, elaborate AUs.
nos: kinks on the below no list, extreme violence/torture/death, dub/non-con (not just sex), exclusively negative CR, unexamined bigotry, unexamined bad romance, alignment switch AUs.

age: defaults to early/mid-20s.
shipping: permissions/kinks here. Bisexual, switch, open to smut; favors Doreah and Asha-Yara for canon ships.
cultural background: Westerosi of Valyrian descent, not particularly beholden to a particular faith.
demeanor: collected, intelligent, essentially a medieval AU sjw, benevolent when deserved, vengeful when deserved.
mental health: well-masked anxiety, recovering familial and sexual abuse victim.
physical health: petite and curvy, said to be the most beautiful woman in the world, impervious to fire.
aesthetic: desert-raised royalty who wears leggings and riding boots under every dress.

bio;

Jul. 2nd, 2014 01:09 pm
ungentle: (paint my hair a blackened crown)
After her family's reign was overthrown, Dany and her brother were spirited across the Narrow Sea to Essos, at first protected by loyalists and then wandering the Free Cities looking for shelter. eventually they landed in Pentos, where a marriage between her and a Dothraki khal was brokered: in return for her hand, Drogo would lend forces to her brother to get his throne returned. This did not go according to plan, though, as once Dany and her new husband grew closer and conceived a child Viserys was no longer the priority. In the span of months, Drogo killed Viserys and then was killed by a maegi taken after the sack of her town, but not before he promised his khaleesi the throne that belonged to her family.

Dany hatched three dragons on his funeral pyre and took command of what remained of his khalasar after his death, and from then on everything was done to keep her people and dragons safe, to find a way back to Westeros, and to set right the injustices she encountered. After liberating the Unsullied army in Astapor, she set about ending slavery in all of Essos, eventually finding her way to Meereen, where she now rules as queen.

At AWOIAF.

ungentle: (let's take a chance now)
Short version:
  • Kinsey 3 (even bisexual) with more heterosexual experience.
  • Kinky on occasion and a switch depending on her partner and mood.
  • As shipping goes: yes to Doreah, probably yeah to Drogo, give here with Asha-Yara, sure let's with Jon, sure let's with most other women (see below for favorites), possibly but eh with Daario, keep your incest and sketch away from me.

tl;dr )

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